The pagan hilltop rituals of Lughnasa, the ancient Gaelic harvest festival, were abandoned after the Christianization of Ireland. A drama exploring the romantic past and emotional present of Ann Lord (Vanessa Redgrave) and her daughters, Constance Haverford (Natasha Richardson) and Nina Mars (Toni Collette). Irish Catholicism • Irish Catholics are Irish citizens who are part of the Roman Catholic church. Jack. The play depicts the daily lives of five sisters from the point of view of Michael, the son of one of them. Directed by David Horan, the cast included Donna Dent, Susannah de Wrixon, Maeve Fitzgerald, Kate Nic Chonaonaigh and Marie Ruane. The opening of a knitwear factory in the village has killed off the hand-knitted glove cottage industry that has been the livelihood of Agnes and Rose. Dancing At Lughnasa The dancing scene in 'Dancing at Lughnasa' is important as it allows the reader to learn more about the individual characters and the unity the family has. A radio nicknamed "Marconi", which works only intermittently, brings 1930s dance and traditional Irish folk music into the home at rather random moments and then, equally randomly, ceases to play. Rosa runs off with her fellow for a night of freedom, and we … In 2009, the Old Vic Theatre in London presented a well-received production of the play starring Sorcha Cusack, Niamh Cusack, Sinéad Cusack and Andrea Corr. The play was revived ten years after its original production, again at the Abbey Theatre with the same production team headed by Patrick Mason. Dancing at Lughnasa, adaptation of play by Brian Friel) (Dir. Reviews: “Quite simply, Dancing at Lughnasa is the best dramatic production I have seen on any stage – large or small – this year. Having a child out of wedlock was extremely shocking and making the … In February to April 2011, Alastair Whatley directed a production for the Original Theatre Company that toured the UK. The five Glenties women he mentions are his mother’s sisters who “left Donegal years before in search for a better destiny.” The town of Ballybeg represents … The play debuted in 1990 and received many accolades, including several Tony Awards. On this visit, he says he is going to join the International brigade to fight in the Spanish Civil War, not from any ideological commitment but because he wants adventure. From ‘Dancing at Lughnasa’ by Brian Friel When I was sixteen I remembered slipping out one Sunday night. Lughnasa is a local festival that dates from pagan Celtic times. The Rome Savoyards theatre company staged an original production of the play directed by Sandra Provost at the 'Teatro San Genesio' from Kate will not allow a Pagan name to be used in naming the radio. Search for "Dancing at Lughnasa" on Amazon.com, Title: Some go wild and jump through the flames. William O'Neill was Michael; Lydia O'Kane - Chris; Gabriella Spadaro - Maggie; Carolyn Gouger - Agnes; Fabiana De Rose - Rose; Shelagh Stuchbery - Kate; Michael Fitzpatrick - Jack and Shane Harnett - Gerry. Unfortunately, rather than being moved by their plight, I found myself increasingly irritated by their passive reaction to it. There is a possibility that Gerry is serious this time about his marriage proposal to Christina. Dancing at Lughnasa is a 1998 Irish-British-American period drama film adapted from the 1990 Brian Friel play Dancing at Lughnasa, directed by Pat O'Connor. An alcoholic drifter spends Halloween in his home town of Albany, New York after returning there for the first time in decades. The play was originally presented at the Abbey Theatre in Dublin in 1990. A voice-over from the adult Michael recalls that significant summer, in the month of August, during the feast of Lughnasa. A young Englishwoman spends twenty years to make whatever kind of life for herself, at the expense of others around her, in post-World War II England. The cast included Victoria Carling, Mairead Conneely, Patricia Gannon, Siobhan O'Kelly, Daragh O'Malley, Bronagh Taggart, Paul Westwood and Alastair Whatley.[1]. All the drama takes place in the sisters' cottage or in the yard just outside, with events from town and beyond being reported either as they happen or as reminiscence. Doctors Jo Wilson, April Kepner, and Andrew DeLuca share the episodes they think are essential to understanding their characters. MAGGIE is at the kitchen window (right). He recounts the summer in his aunts' cottage when he was seven years old. This may be the real reason he has been sent home. Around the stage and at a distance from MICHAEL the other characters stand motionless in formal tableau. Five women different in temperament and capability from one another form a firm emotional support system for one another (reluctantly at times), with the eldest assuming the role of "somewhat meddling" overseer. One has an out-of-wedlock son, Michael. Dancing at Lughnasa '"I know I had a sense of unease, some awareness of a widening breach between what seemed to be and what was, of things changing too quickly before my eyes, of becoming what they ought not to be." 3 of 4 people found this review helpful. Dancing at Lughnasa belongs to the contemporary Irish Drama period. Dancing … 2 1/2 stars for the scenery and acting. Dancing at Lughnasa is a play that pits traditional Irish Catholic traditions and ritual against its pagan counterparts within framework of how the introduction of new ideas transform convention and creates the tension which produces progress and evolution. Dancing at Lughnasa ACT ONE When the play opens MICHAEL is standing downstage left in a pool of light. “At its heart, Dancing at Lughnasa is an internal dialogue that seeks to understand and release the past.” As we entered the theatre, set designer Paul O’Mahony, lighting designer Chahine Yavroyan and sound designer Fergus O’Hare along with actor Charlie Bonner who plays the character of Michael Evans immersed us in the play before we had even taken to our seats. Dancing At Lughnasa is a fine show — and yet it would have been so much better had it been performed up on the Old Vic’s noble stage. Michael tells us about the arrival of the new radio and Maggie’s suggestion to call it “Lugh” after the Lughnasa festival. It is a memory play told from the point of view of the adult Michael Evans, the narrator. - Michael Evans. Now, stuck together in permanent spinsterhood and extreme poverty, they face economic and personal disaster. Harvest Dance. Ireland of course, the land of travelling bards and troubadours, is rich in storytelling, music and dance. These moments creates a sense of worship, of awe, before the past and the future. It is a memory play told from the point of view of the adult Michael Evans, the narrator. They also help Maggie to keep house. Direction: Pat (I) O'Connor and Pat O'Connor. Dancing At Lughnasa. The narrator, Michael, takes us back to the warm harvest days of August 1936, when he was a seven-year-old boy being brought up by his unmarried mother Chris and her four sisters. Introduction Irish Drama Periods 4. The stresses and strains these small events play on the sisters is eventually climaxed in the dancing festival that marks the Feast of Lughnasa (a persistent pagan celebration that challenges the very Catholic foundation of the Irish community), a compelling event that parallels the returned priest brother from the mission fields where he has gained insight into the desperate need for … Instead … Home > A Level and IB > English Literature > Dancing at Lughnasa, Kate Mundy: A character study. Dancing At Lughnasa (610) IMDb 6.3 1 h 34 min 1998 PG Academy Award (r) winner Meryl Streep stars in this beautifully filmed tale of the loves and losses offive sisters in rural Ireland. Dancing at Lughnasa, Kate Mundy: A character study. Synopsis Set in the fictional Irish village of Ballybeg, Ireland, Dancing at Lughnasa is a memory play, told from the perspective of an adult Michael. Like Peter Flannery's Burnt By The Sun, Brian Friel's Dancing at Lughnasa owes a considerable debt to The Cherry Orchard. Between the premiere of Brian Friel's stage play "Dancing at Lughnasa" in 1990 and Pat O'Connor's cinematic adaptation in 1998, Ireland experienced seismic economic and social changes, as well as "Riverdance", "Angela's Ashes" and an international vogue for all things Irish. He is suffering from malaria and has trouble remembering many things, including the sisters' names and his English vocabulary. A large influence on Friel when writing ‘Dancing at Lughnasa’ was the changing role of women in society. He was the oldest in the family, and the only boy. Directed by Annabelle Comyn. He is seven at that time and the five Mundy sisters living together have just acquired their first wireless radio. A career woman reassesses her parents' lives after she is forced to care for her cancer-stricken mother. Maggie and Christina (Michael's mother) have no income at all. The story of one woman's struggle against a narrow-minded medical establishment. Dancing is a rich and fluid symbol in Dancing at Lughnasa whose associations include fun and abandonment, old pre-Christian tradition and Irish pagan celebration, excitement and pleasure, romance, hope and longing for romantic connection, and—ultimately—the The makers of `Dancing at Lughnasa' are clearly appreciative of this fact, and have made valiant, if not always successful, allowances for it. Smithson. Act two. But, as Anna Mackmin's … Dancing at Lughnasa - Characters. Kate will not allow a Pagan name to be used in naming the radio. Irish Catholicism, its rituals and its resonances within the family as well as the clashes it produces. A dedicated Nationalist writer who published journal articles in favor of the Republican front, but is most heavily remembered for her romantic novels, which were … It was this time of year, the beginning of August - and Bernie and I met at the gate of the workhouse and the pair of us off to dance and Ardstraw, I was being pestered by fellow called Tim Carlin at the time but it was really Brian McGuinness that I was that I was keen on. Then the boy's father rides up on a motorcycle--to announce that he's on his way to Spain to fight against Franco. Advertisement. Dancing At Lughnasa 1. He is a charming yet unreliable man, always clowning. Pat O'Connor, 1998) Talk of Angels, adaptation of the novel Mary Lavelle by Kate O'Brien. * The Unseen Boy – In ‘Dancing at Lughnasa’, the narrator is the adult Michael, and Friel chooses also to have the adult Michael reading the ‘boy’s lines, and the aunts must never address the boy. Characters Michael Coveney. Anne Guedes, and Frank McGuinness (Dir. 5 years ago Immediately MICHAEL begins speaking slowly bring up the lights on the rest of the stage. REVIEW: Dancing at Lughnasa Friel’s Dancing at Lughnasa offers a gentle yet moving portrait of an impoverished Irish family, says Jamie P. Robson. It transferred to London's National Theatre in 1991, winning the Olivier Award for Best Play, and subsequently to Broadway's Plymouth Theatre where it won the Tony Award for Best Play as well as a Drama Desk Award nomination for Outstanding Play. Was this review helpful to you? This extraordinary play, widely regarded as Friel’s masterpiece, is the study of five unmarried sisters, named for Friel’s mother and sisters, (“those five brave, Glenties women”) who live in a modest cottage in Donegal. The first Lughnasa International Friel Festival (LIFF) occurred in August 2015. Lughnasa is a local festival that dates from pagan Celtic times. The Question and Answer section for Dancing at Lughnasa is a great resource to ask questions, find answers, and discuss the novel.. Want to share IMDb's rating on your own site? Tweet. I sincerely hope not. The poverty and financial insecurity of the sisters is a constant theme. A reference to the dancing to celebrate the Pagan, Celtic Lughnasa Festival. Dancing at Lughnasa, by Brian Friel, one of Ireland’s most important playwrights, was first performed at the Abby Theater, in Dublin, in 1990, and 1990 and garnered the 1991 Olivier Award. This is the crushingly sad tale of 5 Irish sisters, each of whom appears to have screwed up any and all chances for personal happiness. Into this comes their elderly brother, a priest too senile to perform his clerical functions who has "come home to die" after a lifetime in Africa. Nick Hamm, 1998) A Short Stay in Switzerland (BBC TV, 2009, based on the true story of Dr Anne Turner) Poetry. I'm teaching Dancing at Lughnasa at the moment, and every time I do it reminds me that this is a play that is easy to read, fairly easy to absorb, but quite challenging to understand fully. Still living together in their thirties, the sisters are getting ready for the Lughnasa festival - the beginning of the harvest. The original cast included Frances Tomelty and later Rosaleen Linehan as Kate, Anita Reeves as Maggie, Bríd Ní Neachtain as Rose, Bríd Brennan as Agnes, Catherine Byrne as Chris, Gerard McSorley as Michael, Paul Herzberg and later Stephen Dillane as Gerry Evans and Barry McGovern and later Alec McCowen as Fr. (1998). 5 years ago Genre: Drama. It will either put you completely over the top, or convince you that however bad you feel, you might as well live because there are others who are much, much worse off. In November 2010 Second Age presented Dancing at Lughnasa at the Helix Theatre, Dublin City University. It becomes clear that he has "gone native" and abandoned much of his Catholicism during his time there. February 4 to February 9 to great acclaim. Then my mother's brother, my uncle Jack came home from Africa for the first time in twenty five years. Pg 1 As adult Michael speaks we see the rest of the characters slowly revealed. Created by: Sorcha Hannigan; Created on: 15-05-14 21:13; Fullscreen. Dancing at Lughnasa tells the story of the five Mundy sisters of County Donegal, Ireland at a crucial time in 1936. Friel is often compared to Chekhov: he has adapted Chekhov’s work so I presume he is happy with the comparison and acknowledges the influence, but overall there are differences as well as similarities, i.e., Friel is not a slavish copycat. The locals light bonfires at night. In April 2004, Joe Dowling directed a new production of the play at the Gate Theatre. We called it Lugh, after the old pagan god of the harvest, and his festival was Lughnasa, a time of music and dance. Dancing at Lughnasa essays are academic essays for citation. A month in the lives of five impoverished women. Around the stage and at a distance from MICHAEL the other characters stand motionless in formal tableau. This article is within the scope of WikiProject Film.If you would like to participate, please visit the project page, where you can join the discussion and see lists of open tasks and regional and topical task forces.To use this banner, please refer to the documentation.To improve this article, please refer to the guidelines. Immediately MICHAEL begins speaking slowly bring up the lights on the rest of the stage. He recalls one summer he spent at his aunts' home when he was seven years old. The story, based on the award-winning play by Brian Friel, tells of the five Mundy sisters, who live in a cottage in rural Ireland in the 1930s. A substance-addicted actress tries to look on the bright side even as she is forced to move back in with her mother to avoid unemployment. Brian Friel has brought up in interviews that Dancing at Lughnasa semiautobiographical. Then the boy's father rides up on a motorcycle--to announce that he's on his way to Spain to fight against Franco. A young boy tells the story of growing up in a fatherless home with his unmarried mother and four spinster aunts in 1930s Ireland. Yes, this is fiercely Roman Catholic Ireland and Lugh a pagan god, but that irony is at the core of the film, the hypocrisy of tradition. Dancing At Lughnasa opened on Broadway in October, 1991 and won the 1992 Tony Award for Best Play. Set in the summer of 1936, the play depicts the late summer days when love briefly seems possible for five of the Mundy sisters (Maggie, Chris, Agnes, Rose, and Kate) and the family welcomes home the frail elder brother, Jack, who has returned from a life as a missionary in Africa. Early August 1936. So are their unfulfilled lives: none of the sisters has married, although it is clear that they have had suitors whom they fondly remember. From ‘Dancing at Lughnasa’ by Brian Friel When I was sixteen I remembered slipping out one Sunday night. Dancing at Lughnasa is a 1990 play by dramatist Brian Friel set in County Donegal in Ulster in the north of Ireland in August 1936 in the fictional town of Ballybeg. The original Broadway cast included Rosaleen Linehan as Kate, Dearbhla Molloy as Maggie, Bríd Ní Neachtain as Rose, Bríd Brennan as Agnes (winning a Tony Award for her performance), Catherine Byrne as Chris, Gerard McSorley as Michael, Robert Gwilym as Gerry and Donal Donnelly as Fr. This connection is portrayed by the Irish dramatist Brian Friel in Dancing at Lughnasa, where it has a crucial role. Actress Minnie Driver attends the "Dancing at Lughnasa" New York City Premiere on November 9, 1998 at Sony Theatres Lincoln Square in New York City. When they learn of a village boy badly burned at the pagan Lughnasa Festival in the hills, it is Rose who supplies the details. Maybe things were really that bad in depression era Ireland. View production, box office, & company info. In 1998, Dancing at Lughnasa was adapted to the screen in a film directed by Pat O’Connor and starring Meryl Streep. By Matt Beverley 2. Like Peter Flannery's Burnt By The Sun, Brian Friel's Dancing at Lughnasa owes a considerable debt to The Cherry Orchard. The world these characters inhabit feels real. There is a similar tension here between the "godless" forces he wants to join and the forces of Franco against which he will be fighting, which are supported by the Catholic Church. It was this time of year, the beginning of August - and Bernie and I met at the gate of the workhouse and the pair of us off to dance and Pg 43 Its three weeks later and Maggie talks to young Michael and tells him he owes her money because his kites never flew.. Pg 44 Michael is writing a letter to Santa for a bell to go with the bike that his father has promised him.Michael says he learned to ride a bike in school. Dancing at Lughnasa A magical return for the sisters. Kate Mundy Kate is the eldest of the Mundy sisters and behaves as a Mother figure as a result. The narrator, the adult Michael, tells us this is indeed what happens. Dancing at Lughnasa. They are both moments of ‘dancing at Lughnasa’: ritual before the alien wireless, a technology they recognise has the strange magic of a god, and the familiar yet foreign figure of Ireland’s pagan past in the form of the harvest god. The award was originally entitled Play of the Year but was later renamed in 2001. See more ideas about set design theatre, stage set, theatre inspiration. It was also adapted into a 1998 feature film directed by Pat O’Connor. Actor Kevin Spacey attends the after party following the press night of 'Dancing At Lughnasa', at … Harris Arden (Patrick Wilson) is the man Ann loves in the 1950s ... See full summary ». A look at what goes on backstage during the last broadcast of America's most celebrated radio show, where singing cowboys Dusty and Lefty, a country music siren, and a host of others hold court. The fact that a Hollywood star can seemingly effortlessly fit into a group of comparatively unknown British and Irish actors is proven by Meryl Streep, the oldest of five sisters in Pat O'Connor's cinema version of the award-winning stage play "Dancing at Lughnasa" by Brian Friel (in the German version "Tanz in die Freiheit"-Dance into Freedom). A mother whose child was killed in a dingo attack in the Australian Outback fights to prove her innocence when she is accused of murder. Introduction Dancing at Lughnasa opens with a monologue by Michael,who introduces his nostalgic memories of the summer of 1936. Michael tells us about the arrival of the new radio and Maggie’s suggestion to call it “Lugh” after the Lughnasa festival. Dancing At Lughnasa Summary. The primary result of their efforts is a heightened sense of setting. Get a sneak peek of the new version of this page. Pg 1 As adult Michael speaks we see the rest of the characters slowly revealed. Recently returned home after 25 years is their brother Jack, a priest who has lived as a missionary in a leper colony in a remote village called Ryanga in Uganda. Dancing at Lughnasa ACT ONE When the play opens MICHAEL is standing downstage left in a pool of light. As Ann lays dying, she remembers, and is moved to convey to her daughters, the defining moments in her life fifty years ago, when she was a young woman. She suspects that the real reason is her brother Jack, whose heretical views have become known to the Church and have tainted her by association. [2][3], ‘An inspirational artist’: Ireland pays tribute following death of Brian Friel, The Life and Adventures of Nicholas Nickleby, The Curious Incident of the Dog in the Night-Time, https://en.wikipedia.org/w/index.php?title=Dancing_at_Lughnasa&oldid=993044649, New York Drama Critics' Circle Award winners, All Wikipedia articles written in Hiberno-English, Creative Commons Attribution-ShareAlike License. As a schoolteacher, she is the only wage-earner in the house, but her reputation as 'The Gander' in the schoolroom is seen to extend into the household. Rosaleen Linehan – Dancing at Lughnasa as Kate; Cynthia Martells – Two Trains Running as Risa; Dearbhla Molloy – Dancing at Lughnasa as Maggie; Best Performance by a Featured Actor in a Musical Best Performance by a Featured Actress in a Musical; Scott Waara – The Most Happy Fella as Herman. There is a tension between the strict and proper behaviour demanded by the Catholic Church, voiced most stridently by the upright Kate, and the unbridled emotional paganism of the local people in the "back hills" of Donegal and in the tribal people of Uganda. Dancing. Anna and Mike portray two characters in a film set in 19th century England who fall in love despite the fact that Mike's character is engaged. It celebrates the rising of the harvest moon. Around them they sing, dance and drink. You must be a registered user to use the IMDb rating plugin. Two parents deal with the effects when their son is accused of murdering his girlfriend. Monday 09 March 2009 01:00. comments. Although undeniably affected by the presence of the two men, the sisters continue to cope as a close-knit unit until something happens that disrupts the fabric of that cohesiveness beyond repair. The play, like Friel's Dancing at Lughnasa, is on the syllabus for English Higher Level and Ordinary Level for the Irish Leaving Certificate examinations, as well as the English A1 course of the International Baccalaureate. Story of a schoolteacher's struggle to teach violin to inner-city Harlem kids. This is a strong feature to Dancing At Lughnasa as the storyline is based around Freil’s use of juxtaposition of native tribal dancing and localized northern Irish dancing with the use of Father Jack. We hear that Maggie cannot ride a bike but she says that she can go on … Contemplating suicide? Dancing at Lughnasa: Irish catholicism 1. Dance, in the production of Dancing at Lughnasa is consequently not only a connective device between the audience and the characters as it is a projection of primal desires, but also a representation of repressed feeling and emotion of which the characters cannot express verbally. Keep track of everything you watch; tell your friends. Five unmarried sisters make the most of their simple existence in rural Ireland in the 1930s. He visits rarely and always unannounced. The oldest, Kate, is a school teacher, the only one with a well-paid job. Ask Your Own Question Haven’t found the relevant content? Dancing at Lughnasa, in the year of its 25th anniversary, was chosen as its signature production. Dancing at Lughnasa largely works within naturalistic conventions (m Now I’ve taken Dancing at Lughnasa out of the library. The dark heart of Dancing at Lughnasa Brian Friel’s 1990 play about five sisters in 1930s Donegal is finally being directed by a woman, Annabelle Comyn, and she intends to expose its hidden darkness And indeed the Africans dancing around their tribal fires in the opening credits are mirrored, in Ireland, by the annual pagan festival of Lughnasa, held up in the hills, also with bonfires. The rest of the stage is in darkness. He is seven at that time and the five Mundy sisters living together have just acquired their first wireless radio. Gerry, Michael's father, is Welsh. There is a sense that the close home life the women/girls have known since childhood is about to be torn apart. Michael is seven years old and plays in and around the cottage. The five Mundy sisters (Kate, Maggie, Agnes, Rosie, and Christina), all unmarried, live in a cottage outside of Ballybeg. Act One. This leads the women into sudden outbursts of wild dancing. Characters. Jul 16, 2018 - Explore Pat Price's board "Dancing at Lughnasa" on Pinterest. The Laurence Olivier Award for Best New Play is an annual award presented by The Society of London Theatre in recognition of achievements in commercial British theatre. Agnes and Rose knit gloves to be sold in town, thereby earning a little extra money for the household. The locals light bonfires at night. Ciaran O'Reilly was Michael; Annabel Hagg as Chris; Jo Kinsella – Maggie; Rachel Pickup – Agnes; Aedin Moloney – Rose; Orlagh Cassidy – Kate; Michael Countryman – Jack; and Kevin Collins as Gerry. REVIEW: Dancing at Lughnasa Friel’s Dancing at Lughnasa offers a gentle yet moving portrait of an impoverished Irish family, says Jamie P. Robson. Let our editors help you find what's trending and what's worth your time. He is a travelling salesman who sells gramophones. Home; The World of the Play Brid Brennan won an Irish Film and Television Award for Best Actor in a Female Role. Act One. Maggie learns of a former girlfriend of hers visiting … Five women different in temperament and capability from one another form a firm emotional support system for one another (reluctantly at times), with the eldest assuming the role of "somewhat meddling" overseer. Dancing at Lughnasa, which won the Olivier and Tony Best Plays awards, ushered in a golden decade of confidence for new Irish playwriting and reaffirmed one of … It is 1936 and events both local and international will conspire to shatter the delicate eco-system of their home lives forever. In the time ‘Dancing at Lughnasa’ was set Gerry and Chris’s relationship would have been extremely unorthodox and would have circulated a lot of town gossip. The Many Faces of Dance in Rural Ireland – Brian Friel’s Dancing at Lughnasa Undoubtedly, dance is deeply rooted in Irish culture. Jack, Steve Elliott as Gerry Evans, Anna Healy as Maggie, David Parnell as Michael and Ali White as Chris. The five Mundy sisters, all unmarried, live in a big cottage just outside of the small village. A young boy tells the story of growing up in a fatherless home with his unmarried mother and four spinster aunts in 1930s Ireland. Dancing at Lughnasa was adapted for a 1998 film of the same name starring Meryl Streep as Kate Mundy and directed by Pat O'Connor. Dancing at Lughnasa, a play written by Brian Frier, is a depiction of a man's memory of his childhood. Or were they? Article bookmarked. Representing Rural Ireland through the Characters It celebrates the rising of the harvest moon. The Lyric Theatre in Belfast presented a revival of the play in association with the Dublin Theatre Festival, which toured both North and South of Ireland, with a cast featuring Catherine Cusack, Catherine McCormack and Mary Murray. Brid Brennan – Dancing at Lughnasa as Agnes. Second Age Theatre Company presented a revival of the play which toured Ireland as part of a National Tour. Thatcher had just been Prime Minister and women’s rights were becoming much more accepted in the 1990’s, perhaps why Friel chose to make this such a large part of the play. 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